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        We 
          are a group of concerned individuals in the academic and performance 
          worlds who fear that our long and venerable Western cultural tradition 
          is going into a kind of eclipse.  
           It seems to us as if books 
          of substance are being read less and less in entirety nowadays. Equally 
          distressing, we have heard that in many of our public schools the classics 
          are being set aside for what is popular and easier to read, and that 
          even literature programs in our colleges are being diluted.  
           In music stores, we have noted 
          with dismay the growing number of customers in the pop music sections 
          and the dwindling few in the classical. And we have witnessed with sadness 
          our favorite music stations on the radio disappearing one by one until 
          now there are but a precious few left.  
           With The Lark Ascending we 
          want to sally forth with a challenge to this depressing trend and reach 
          out with an ungloved hand to those who yearn for excellence and a camaraderie 
          with kindred spirits. In a chamber setting, as budget allows, we will 
          take communal pleasure in what Matthew Arnold called "the best 
          that was thought and said in the past." We are interpreting "thought 
          and said in the past" in the broadest senseas being inclusive 
          of music and art as well as literature, and of such contemporary writers, 
          composers, and artists who derive from or claim a kinship to that past, 
          especially composers, who all too often cannot speak for themselves. 
          Perhaps all of us who care about these treasures of our literary and 
          artistic legacy have a disturbing internal sense that we also may finally 
          not be able to speak for ourselves. Alas, is it now possible that John 
          Milton, William Blake, and Dame Edith Sitwell may go the perilous way 
          of rain forests, whooping cranes, and baby seals? There is a tragic 
          pattern here, and the answer may be yes.  
           Let us hope not....  
        Nancy 
          Bogen, artistic director  
          Richard Duncan , music director  
          Richard Brooks, Composer-in-Residence  
        ADVISORY 
          BOARD:  
          BarryBraker, PatrickCullen, 
          GustavFreud, ArnoldGreissle-Schönberg, 
          CarolineHagen, HerbertJ.Harris, 
          GjertineJohansen, VictorMattfeld, 
          FrancesRainer, TomReilly, 
          WalterSimmons, UrsulaSternberg, 
          SalvatoreTagliarino, SusanWalker, 
          VirginiaWolfe, CarlWoodring 
           
        THE 
          LARK ASCENDING is a fully incorporated not-for-profit institution. 
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